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. . . And Basil? From a psychological point of view,how interesting he was! The new manner in art, the freshmode of looking at life, suggested so strangely by the merelyvisible presence of one who was unconscious of it all;the silent spirit that dwelt in dim woodland, and walked unseenin open field, suddenly showing herself, Dryadlike and not afraid,because in his soul who sought for her there had been wakenedthat wonderful vision to which alone are wonderful things revealed;the mere shapes and patterns of things becoming, as it were,refined, and gaining a kind of symbolical value, as thoughthey were themselves patterns of some other and more perfectform whose shadow they made real: how strange it all was!He remembered something like it in history. Was it not Plato,that artist in thought, who had first analyzed it?Was it not Buonarotti who had carved it in the coloured marblesof a sonnetsequence? But in our own century it was strange.. . . Yes; he would try to be to Dorian Gray what, without knowing itfgs
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